Paul Louth

Dr. Paul Louth - profile photo

Dr. Paul Louth

Professor

Dana School of Music & University Theatre

Bliss Hall

phone: (330) 941-3636

jplouth@ysu.edu

Bio

Dr. J. Paul Louth is Associate Professor of Music Education in the Dana School of Music, where he teaches graduate and undergraduate courses in music education foundations, methods, and research, supervises student teachers, and advises music education students. Dr. Louth earned two bachelors degrees, one in music performance and one in education, both from the University of Toronto. After a brief period working as a freelance trombonist and then teaching in high schools for several years, he went on to earn M.Mus. and Ph.D. degrees in music education from the University of Western Ontario (now Western University). Specializing in jazz, brass, and wind band pedagogy Louth has previously worked as an adjudicator for Music USA Festivals and Musicfest Canada. He is also an active composer and arranger, having written commissioned works for various school ensembles, some of which have been performed at the prestigious Midwest Band Clinic in Chicago. Since 2012, he has composed and premiered two major works for YSU jazz and concert bands as well.

Dr. Louth’s research interests focus on critical music pedagogy, philosophical issues in music education, music education technology, and the intersection of formal and informal music learning. He has presented his research at various national and international conferences, and he has published articles in: Philosophy of Music Education Review; Music Education Research; Action, Criticism, and Theory for Music Education; the International Journal of Community Music; and the British Journal of Music Education, as well as having contributed chapters to the Oxford Handbook of Social Justice in Music Education; and Personhood and Music Learning, one of a series of books published by the Canadian Music Educators’ Association. He has served on the editorial board of Contributions to Music Education, and has been an invited reviewer for Philosophy of Music Education Review and the Canadian Association of Music Libraries. He currently serves on the Research Committee of the Ohio Music Education Association and organizes the annual graduate research poster session, which takes place during the professional development conference each winter.

  • 2008

    Ph D, Music Education

    Western University

    Dissertation/Thesis Title — "“Music, Metaphor, and Ideology: Toward a Critical Theory of Forms in Music Education” "

  • 2004

    Other, Music Education

    Western University

    Dissertation/Thesis Title — "“Informal Jazz Education in Canada: A Qualitative Study of the Learning Histories of Four Jazz Artists” "

  • 1997

    Other, Education

    University of Toronto

  • 1995

    Other, Jazz Trombone

    University of Toronto

  • 1991

    Other, Trombone

    Mohawk College of Applied Arts and Technology

  • 2024

    Youngstown State University

    Distinguished Professor Award in Research

  • 2020

    Youngstown State University

    Sabbatical Leave Awarded

    This sabbatical leave supported the research for my 2023 book, Unfreezing Music Education.

  • 2016

    Youngstown State University

    Research Professorship

    This research professorship supported the fieldwork that led to a 2022 article publication.

  • 2024

    "Digital Music and Critical Music Literacy"

    J. Louth

    Music Education Research, volume 26, issue 1, p. 37 - 46

  • 2023

    "Unfreezing Music Education: Critical Formalism and Possibilities for Self-Reflexive Music Learning"

    J. Louth

    Routledge, p. 197
  • 2023

    "Music for All or Partisan Advocacy? Exploring Socialized Epistemologies"

    J. Louth, L. Richerme

    Philosophy of Music Education Review, volume 31, issue 2, p. 136-154

  • 2023

    "Music Education and the Shrinking Public Space: Implications of Richard Sennett's Sociological Ideas for Music Education"

    J. Louth

    Visions of Music Education, volume 41, p. 46-59

  • 2022

    "Televised Music Instruction"

    J. Louth

    Rowman & LIttlefield, p. 139-154
  • 2022

    "Student-Centered Teaching and the Large Ensemble: Educators' Perceptions and Concerns"

    J. Louth

    Contributions to Music Education, volume 47, p. 61-80

  • 2020

    "Emphasis and Suggestion versus Musical Taxidermy: Neoliberal Contradictions, Music Education, and the Knowledge Economy"

    J. Louth

    Philosophy of Music Education Review, volume 28, issue 2, p. 88-107

  • 2018

    "Music Education’s ‘Legitimation Crisis’ and its Relationship to One-dimensional Thinking"

    J. Louth

    Action, Criticism, and Theory for Music Education, volume 17, issue 1, p. 9-32

  • 2015

    "Social Justice and Music Technology in Education"

    J. Louth

    Oxford University Press, p. 473-486
  • 2014

    "There’s Madness in Your Method: A Philosophical Exploration into the Thought of Paul Feyerabend and its Implications for Music Education"

    J. Louth

    British Journal of Music Education, volume 31, issue 1, p. 69-83

  • 2013

    "Frozen Metaphors, Ideology, and the Language of Music Instruction"

    J. Louth

    Action, Criticism, and Theory for Music Education, volume 12, issue 3, p. 65-91

  • 2013

    "Review of 'Patriotism and Nationalism in Music Education,' edited by David Hebert and Andrea Kurtz-Welzel"

    J. Louth

    Canadian Association of Music Libraries Review, volume 41, p. 28-29

  • 2013

    "Examining Instruction in MIDI-based Composition through a Critical Theory Lens"

    J. Louth

    Philosophy of Music Education Review, volume 21, issue 2, p. 136-155

  • 2012

    "The Role of Critical Formalism in Music Education"

    J. Louth

    Philosophy of Music Education Review, volume 20, issue 2, p. 117-134

  • 2012

    "Personal Knowledge, Personal Epistemology, and Informal Musical Learning"

    J. Louth

    CMEA/ACME Biennial Book Series, Research to Practice
  • 2012

    "An Approach to Improvisation Pedagogy in Post-Secondary Jazz Programs based on Negative Dialectics"

    J. Louth

    Music Education Research, volume 14, issue 1, p. 9-24

  • Unknown

    Reviewer, Journal Article
    International Journal of Music Education

  • 2021 - 2023

    Chairperson
    NAfME Special Research Interest Group - Philosophy

  • 2020 - present

    Editor, Associate Editor
    Philosophy of Music Education Review

  • 2016 - present

    Program Organizer
    Ohio Music Education Association Research Committee

Image
Dr. Paul Louth headshot

Dr. J. Paul Louth is Associate Professor of Music Education in the Dana School of Music, where he teaches graduate and undergraduate courses in music education foundations, methods, and research, supervises student teachers, and advises music education students. Dr. Louth earned two bachelors degrees, one in music performance and one in education, both from the University of Toronto. After a brief period working as a freelance trombonist and then teaching in high schools for several years, he went on to earn M.Mus. and Ph.D. degrees in music education from the University of Western Ontario (now Western University). Specializing in jazz, brass, and wind band pedagogy Louth has previously worked as an adjudicator for Music USA Festivals and Musicfest Canada. He is also an active composer and arranger, having written commissioned works for various school ensembles, some of which have been performed at the prestigious Midwest Band Clinic in Chicago. Since 2012, he has composed and premiered two major works for YSU jazz and concert bands as well.

Dr. Louth’s research interests focus on critical music pedagogy, philosophical issues in music education, music education technology, and the intersection of formal and informal music learning. He has presented his research at various national and international conferences, and he has published articles in: Philosophy of Music Education Review; Music Education Research; Action, Criticism, and Theory for Music Education; the International Journal of Community Music; and the British Journal of Music Education, as well as having contributed chapters to the Oxford Handbook of Social Justice in Music Education; and Personhood and Music Learning, one of a series of books published by the Canadian Music Educators’ Association. He has served on the editorial board of Contributions to Music Education, and has been an invited reviewer for Philosophy of Music Education Review and the Canadian Association of Music Libraries. He currently serves on the Research Committee of the Ohio Music Education Association and organizes the annual graduate research poster session, which takes place during the professional development conference each winter.