Laura Beadling

Dr. Laura Beadling - profile photo

Dr. Laura Beadling

Professor

English & World Languages

DeBartolo Hall 214

phone: (330) 941-3648

llbeadling@ysu.edu

  • 2007

    Ph D, American Studies

    Purdue University

    Dissertation/Thesis Title — ""The Aesthetics of Translating Cultural Trauma: Traumatized Communities in Twentieth Century Fiction and Film""

  • 2001

    MA, English

    Purdue University

  • 1995

    BFA, Creative Writing and English

    Bowling Green State University

  • 2025

    Faculty Improvement Leave

    I was awarded a Faculty Improvement ​Leave for Spring 2026 to work on two essays and the beginnings of a book project.

  • 2017 -

    Youngstown State University

    Associate Professor

  • 2013 - 2017

    Youngstown State University

    Assistant Professor

  • 2013 - 2013

    University of Wisconsin Platteville

    Associate Professor

  • 2007 - 2013

    University of Wisconsin Platteville

    Assistant Professor

  • 2024 - present

    Coordinator

  • 2020 - 2021

    Coordinator

  • 2024

    "New Wave, New Hollywood: Reassessment, recovery, and legacy By NathanAbrams, GregoryFrame (Eds.), New York: Bloomsbury Academic. 2021. pp. 261. ISBN: 978‐1‐5013‐7272‐8"

    L. Beadling

    The Journal of American Culture, Wiley, volume 47, issue 4, p. 332-332

  • 2024

    "Review of New Wave, New Hollywood: Reassessment, Recovery, and Legacy"

    L. Beadling

    Journal of American Culture

  • 2023

    "“Food as Story and Spectacle in Big Night (1996).”"

    L. Beadling

  • 2023

    "“Comics as Heterotopic Medium: Lucy Knisley’s Graphic Memoir Displacement as Exemplar of Heterotopic Comics.”"

    L. Beadling

    ImageText: An Interdisciplinary Comics Studies Journal, volume 14, issue 3

  • 2022

    "The Dog Stars – Peter Heller"

    L. Beadling

    ABC-CLIO
  • 2022

    "Review of: Kirscher, Jonathan and Jon Lewis. When the Movies Mattered: The New Hollywood Revisited."

    L. Beadling

  • 2022

    "Parable of the Sower – Octavia E. Butler."

    L. Beadling

    ABC-CLIO
  • 2022

    "Looper – dir. Rian Johnson"

    L. Beadling

    ABC-CLIO
  • 2022

    "All the Birds in the Sky – Charlie Jane Anders"

    L. Beadling

    ABC-CLIO
  • 2021

    "Review of: Garrett, Greg, Living With the Living Dead: The Wisdom of the Zombie Apocalypse."

    L. Beadling

  • 2020

    "“Weirding Women’s Writing: Karen Russell’s ‘St. Lucy’s Home for Girls Raised by Wolves’ as a Defamiliarizing Lens.”"

    L. Beadling

  • 2020

    "“Kurt Vonnegut Museum.”"

    L. Beadling

  • 2020

    "“Doubles in a Science Fiction Screenplay and Film: Alexander Payne’s Downsizing as a Case Study in Doubling and Duality.”"

    L. Beadling

  • 2020

    "“Cherokee Film as Cherokee Storytelling: Randy Redroad’s The Doe Boy (2001) as Filmic Deer Woman Story.”"

    L. Beadling

  • 2019

    "“Pregnancy is Not the Point: Fargo’s Molly as a Groundbreaking Female Lead Character on a Television Series.”"

    L. Beadling

  • 2019

    "Review of: Berliner, Todd, Hollywood Aesthetic: Pleasure in American Cinema."

    L. Beadling

  • 2019

    "Review of: Banet-Weiser, Sarah, Empowered: Popular Feminism and Popular Misogyny."

    L. Beadling

  • 2019

    "Pregnancy Is Not the Point: Fargo’s Marge, Fargo Season One’s Molly, and Midwestern Feminisms"

    L. Beadling

    Middle West Review, Project MUSE, volume 5, issue 2, p. 105-113

  • 2018

    "“Native American Gothic On Screen: Revising Gothic Conventions in Two Recent Indigenous- Centered Films.”"

    L. Beadling

  • 2017

    "Review of: Tahmahkera, Dustin, Tribal Television: Viewing Native People in Sitcoms."

    L. Beadling

  • 2016

    "“Reel Indigenous Women’s Lives: Female Protagonists in Films by Indigenous Women."

    L. Beadling

  • 2015

    "“Subverting the Master’s Hero: Firefly’s Malcolm Reynolds as a Feminist-Inflected Space Cowboy.”"

    L. Beadling

  • 2015

    "“Girls and Old Men Talking: Gender, Power, and Sound in the Coen Brothers’ No Country for Old Men and True Grit.”"

    L. Beadling

  • 2014

    "“Power in the Black Stuff: Concision and Style in Screenwriting.”"

    L. Beadling

  • 2014

    "“Aging Women on Screen: Alexander Payne’s Depiction of Older Women in About Schmidt and Nebraska.”"

    L. Beadling

  • 2014

    "Review of: Joanna Hearne, Smoke Signals: Native Cinema Rising."

    L. Beadling

  • 2014

    "Review of: Barry Keith Grant, ed, Film Genre Reader IV."

    L. Beadling

  • 2014

    "Practical Composition: Exercises for the English Classroom from Working Instructors."

    L. Beadling, R. Brickey, E. Martens

  • 2013

    "“Screenwriting in the (Film and) Literature Classroom.”"

    L. Beadling

  • 2013

    "Review of: Marc Furstenau, The Film Theory Reader: Debates and Arguments."

    L. Beadling

  • 2012

    "“Twin Turns: Race, History, and Intertextuality in Art Spiegelman’s In the Shadow of No Towers.”"

    L. Beadling

  • 2012

    "“The Trauma of AIDS Then and Now: Tony Kushner’s Angels in America on the Stage and Small Screen.”"

    L. Beadling

  • 2012

    "“Native American Filmmakers Reclaiming Voices: Innovative Voice-Overs in Chris Eyre’s Skins.”"

    L. Beadling

  • 2011

    "“In an ‘Indian’ Key: Shelley Niro’s Revisioning of the Baroque Suite Form in Suite: INDIAN.”"

    L. Beadling

  • 2010

    "“Who Are You If You Don’t Remember Who You’ve Been: Kaufman and Gondry’s Eternal Sunshine of the Spotless Mind as Postmodern Screwball.”"

    L. Beadling

  • 2010

    "“Subject of/to the Camera: Embodied Subjectivity and the Mind/Body Split in Ken Wardrop’s Undressing My Mother.”"

    L. Beadling

  • 2010

    "“Imaging Internment: Teaching Miné Okubo’s Citizen 13660 as a Work of Comics in the Contact Zone.”"

    L. Beadling

  • 2010

    "Review of: Mary Jo Bona, By the Breath of their Mouths: Narratives of Resistance in Italian America."

    L. Beadling

  • 2009

    "“In a Native Key: Shelley Niro’s Revisioning of the Baroque Suite Form in Suite: Indian.”"

    L. Beadling

  • 2009

    "Review of: Patricia Melzer, Alien Constructions: Science Fiction and Feminist Thought."

    L. Beadling

  • 2009

    "Review of: Lawrence Allen Rosenwald, Multilingual America: Language and the Making of American Literature."

    L. Beadling

  • 2008

    "“Who Are You If You Don’t Remember Who You’ve Been: Technology as Emotional Analgesic in Eternal Sunshine of the Spotless Mind.”"

    L. Beadling

  • 2008

    "“The Threat of the ‘Good Wife’: Joss Whedon’s Firefly as Postfeminist Text.”"

    L. Beadling

  • 2008

    "Review of: Magali Cornier Michael, New Visions of Community in Contemporary American Fiction: Tan, Kingsolver, Castillo, Morrison."

    L. Beadling

  • 2008

    "Review of: Janice Peck, The Age of Oprah: Cultural Icon for the Neoliberal Era."

    L. Beadling

  • 2005

    "Review of: Anne Whitehead, Trauma Fiction."

    L. Beadling

  • 2024 - 2024

    Reviewer, Journal Article
    American Literatures

  • Unknown

    Reviewer, Journal Article
    Humanities Journal

  • 2024 - present

    Reviewer, Journal Article
    Journal of Men's Studies

  • 2023 - 2022

    Reviewer, Journal Article
    Humanities Journal

  • 2022 - 2022


    Tulsa Journal of Women's Literature

  • Unknown


    American Literatures.

  • 2022 - 2022


    Mosaic Journal

  • Unknown


    Society for the Study of Midwestern Literature on Midwestern

  • Unknown


    Feminist Border Arts Film Festival

  • 2019 - present


    Journal of American Culture

  • Unknown


    Midwest Popular Culture Association

  • Unknown

    Guest Speaker
    Youngstown Rayen Early College

  • 2023 - 2024

    Chair
    John Scalzi Visit

  • Unknown


    Sponsored local children to attend English Festival with Endowed Funds

  • 2020 - present


    Lit Youngstown

  • 2019 - present


    Public Library of Youngstown and Mahoning County

  • 2018 - 2021


    Ursuline Scholars Program

  • 2018 - 2020


    Youngstown Reading Radio

  • 2018 - 2020


    American Cancer Society

Dr. Laura L. Beadling joined YSU's English Department in 2013 after teaching at a branch campus of the University of Wisconsin system for several years.  She specializes in visual studies—film, television, graphic novels, etc.—and Native American history and culture.  She also does work in rhetoric and composition and creative writing.

She co-edited a book of composition exercises and is currently working on a screenwriting textbook and a single-director study.  She has recently published on Native American Gothic films, Native American women film directors, depictions of women in Alexander Payne's films, voice-over narration in two Coen brothers' films, Joss Whedon's sci-fi television show Firefly, HBO's adaptation of Angels in America, and graphic memoirs by Art Spiegelman and Mine Okubo. 

At YSU, she frequently teaches Screenwriting, Introduction to Film, Science Fiction and Fantasy Literature, the composition Practicum, studies in film, film genres, and foreign film.